Manifestation of national knowledge in fairy-tale discourse (based on the materials of Kazakh, Russian and Arabic languages)

Authors

  • N.K. Kultanbaeva
  • S.S. Isakova
  • G.R. Alimbek

DOI:

https://doi.org/10.31489/2021ph4/91-97

Keywords:

discourse, discursive cycle, fairy-tale discourse, national cognition, keywords, communication, sarcasm, addressee, explicitness, implicitness

Abstract

This article describes the artistic tools of fairy-tale discourse emphasizing that folk tales are a wonderful work of folklore. Artistic features of folk tales, including Kazakh folk tales, are described with a specific example when comparing phrases in the fairy text, varieties of poplar, magnificent equations, logical phrases. Authors of the article provide the stages of exposure and connection of fairy-tale plot, peculiarities and social status of
the protagonist which further are transmitted in different ways in the text of the tale. For example, using a variety of artistic-pictorial words makes a fairy-tale plot complex and interesting. One of them is the description of the main character of the fairy tale, that is, heroism, his heroic deeds and forces. As noted in the fairy-tale discourse, the fairy-tale hero is described as a special hero, a man with an impeccable personality, a fighter for his country and land. Besides, various artistic means are used to describe the nature of the homeland, the world in an unprecedented way. Fairy tales are rich for epithets, comparisons, metaphors, phraseological units. The article reveals the culture in the fairy-tale text, the life, worldview of the people, the world picture, the national color, demonstrating the artistic value of folk tales with such unprecedented equality.

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Published

2021-12-31

Issue

Section

ACTUAL PROBLEMS OF LINGUISTICS